24 tunes by the renowned Irish harper, Turlough O'Carolan, all carefully and exactlingly transcribed from guitar settings arranged by guitarist Guido Boeger.  The arrangements are contrapuntal, dance-like and Baroque sounding.

The editing and the fingerings for Celtic Harp (done by Mary Fitzgerald) are excellent.  These are not easy pieces to sight read, as they are not extremely harpistic.  They are, though, very enjoyable once you have them under your fingers.  Because of the editing, these are much more approachable.

A precious and tender melody provided in 2 keys: F and Eb. It is very apparent that Meg has written this music specifically for the little baby Eliana. Every note has meaning. Intermediate and for all harps. There are moving eighth notes, rolled chords and one glissando. You are welcome to listen to the mp3 file provided.

A collection of ragtime, blues and boogie-woogie arranged for beginning harpists.  For the most part, these arrangements can be played on a 26-string lever harp with the lowest note being the C below middle C.    There is one exception that I can see: measure 3 in  "The Entertainer" but this can be easily adjusted by playing an octave up.  Advanced beginner level.  There is a very nice glossary of terms, for those not familiar with the art of playing the blues.  Note - these are actual arrangements, not to be improvised. 

Traditional Music of North America arranged for solo harp by Kim Robertson - a companion book to the CD Shady Grove (Gourd Music).   Fantastic arrangements, mostly intermediate,  for all harps.  These are among the most beautiful and simple melodies ever.  Barbara Allen/Hole in the Wall, Black is the Color of My True Love's Hair, Come All Ye Fair and Tender Maidens, Do You Love an Apple/Streets of Laredo, Fiddlin' Bagpipes, Gentle Annie/Annie Laurie, I will Arise, Oh Susanna, Shady Grove/Nonesuch, Shenando