Entitled “Mary” instead of the traditional “Mairi”, it was arranged for one of her harp ensemble members,  Mary Keeble. It was written for her wedding. There are many compositional techniques such as inversion, augmentation of music motifs. It starts out in a stately walking manner.

Written in the key of G major, has a simplified accompaniment using triplets as the basis instead of the original version of 3 groups of 4 16th notes. The harmonies remain the same. Sight-readable on pedal harp, pedal changes are included. For harp and flute, or violin. Perfect for the advanced harpist who doesn’t have the time to work up the original version! INTERMEDIATE PEDAL HARP

A lovely collection of familiar and beautiful melodies arranged for voice and small harp (26 strings.) The harp parts are quite easy, yet make a nice accompaniment. There are very few lever changes, and most tunes are in the keys of C or G. There is a separate voice part in case the harpist is not the singer. A nice collection of repertoire that can be used for a variety of events, meetings or background music. For recital or outdoor events alike.

Music for voice and small harp - easy and straightforward arrangements with nice harmonies.  The harp part can be played on a harp with the lowest noteC below middle C.  The voice part is for a mezzo range, lowest note A below middle C, highest note E 1 1/3 octave above middle C.