Reference: 92144
INTERMEDIATE, ALL HARPS + OPTIONAL VOICE A journey where you'll make friends with inspirational words and elegant melodies. Many playable on harps as small as 23 strings with a few modifications.
Reference: 70903
LOWER INTERMEDIATE, ALL HARPS. A really beautiful collection of original melodies for harp or piano, and voice.
Reference: 70903E
LOWER INTERMEDIATE, ALL HARPS. A really beautiful collection of original melodies for harp or piano, and voice. This is the PDF download version.
Reference: 71813
LOWER INTERMEDIATE, ALL HARPS. An original tune setting of "The Beatitudes". Can be performed by SATB choir (in the score) or by soloist singing the melody line.
Reference: 93725
ALL HARPS INTERMEDIATE - HARP AND VOICE. Music by Mary Muckle, Poetry by Wm. Yeats. In the alto range with highest note Eb a m10th above middle C. Harp parts are intermediate and nicely independent of the vocal line.
Reference: 62302
INTERMEDIATE PEDAL HARP + VOICE & FLUTE Key of d minor. It is thirteen pages in length, and is very moving.
Reference: 90845
INTERMEDIATE, ALL HARPS - HARP SOLO OR WITH VOICE. [revised November 2013] Contains 2 pieces, both appropriate for meditation. A minor with a G# lever change. Scroll down for SOUND SAMPLES.
Reference: 92017
INTERMEDIATE, ALL HARPS 6 harp solos, 3 harp/voice duos. Carol Wood has created yet another super work for harp and voice, with several harp solos. Several "watery" musical devices, including parallel fourths, whole-tone glisses, and arpeggios built on diminished and half-diminished sevenths, suggest the element in which mermaids live and play and sing.
Reference: 93725E
ALL HARPS INTERMEDIATE - HARP AND VOICE. Music by Mary Muckle, Poetry by Wm. Yeats. In the alto range with highest note Eb a m10th above middle C. Harp parts are intermediate and nicely independent of the vocal line. This is the PDF download version. For hard copy, see SKU 93725.
Reference: 90845E
INTERMEDIATE, ALL HARPS - HARP SOLO OR WITH VOICE. [revised November 2013] Contains 2 pieces, both appropriate for meditation. A minor with a G# lever change. Scroll down for SOUND SAMPLES.
Reference: 92019E
INTERMEDIATE, ALL HARPS + VOICE Musical settings for harp and voice from well-known poets by the composer Carol Wood.
Reference: 62307
INTERMEDIATE PEDAL HARP + ALTO VOICE. A lullaby for intermediate pedal harp and female voice with optional French horn part.Teaches the names of the planets.
Reference: 92141
INTERMEDIATE, ALL HARPS Mary's writing style is similar to Cindy Kleinstuber's with a little more rhythmic structure. Lovely compositions.
Reference: 71816
UPPER INTERMEDIATE, ALL HARPS + VOICE. An original piece for soprano, harp, and optional cello obligato, with Latin text and separate translation.
Reference: 92019
INTERMEDIATE, ALL HARPS + VOICE Musical settings for harp and voice from well-known poets by the composer Carol Wood.
Reference: 73206
Pedal Harp, key of Bb. Not difficult, voice and harp compliment each other.
Reference: 73205
Pedal Harp and voice. A lovely ballad, original melody by Claudia Place. Key of C.
Reference: 73204
Lever Harp Version - a ballad for harp and alto or counter tenor.
Reference: 62300
INTERMEDIATE, ALL HARPS + ALTO VOICE. For harp and female alto voice. Words, from the fairy tale "The Last Unicorn", are by Peter Beagle. Written in C minor with two lever changes.
Reference: 71815
INTERMEDIATE, ALL HARPS. An original piece (one of Rhett's most requested titles for singers) for harp and high voice.
Reference: 92140
INTERMEDIATE ALL HARPS + VOICE Beautiful original pieces, contemplative. Some lower intermediate, and most work on small harps.
Reference: 92005
INTERMEDIATE, ALL HARPS + VOICE Modern music with an early twist. This book is for harp and voice. It is mystical, lyrical, modern and ancient all in one.
Reference: 91999
INTERMEDIATE, ALL HARPS + VOICE OR FLUTE (WHISTLE) Setting a poem to music must be like another way of translating the poem, an idea that stayed with Carol wood throughout her work on this collection.
Reference: 92143
INTERMEDIATE, ALL HARPS. + VOICE Wonderful melodies, several with words, relaxing to play and perfect for just about any occasion. About half playable on lap harp.